lang="es"> Jorge Grundman. Biography
 

Biography

Brief Notes, His Music So Far and Academic Research



Brief Notes About Him
He began his musical studies at the age of 12, composing his first piece at 14. He started studying solfège, piano, and choral ensemble at the Royal Conservatory of Music in Madrid with Carmen Ledesma, in the Chair of Joaquín Soriano. Although he was unable to complete his formal studies there, he has continued his education to this day. He holds a Ph.D. in Arts from Rey Juan Carlos University and has completed a Master’s in Musical Creation and Performance at Rey Juan Carlos University and the Royal Conservatory of Music in Madrid. Additionally, he has earned a degree in Musicology and History of Music from the University of La Rioja, a degree in Sound and Image Engineering from the Polytechnic University of Madrid, and a diploma in Computer Science from the Pontifical University of Comillas. He has also attended masterclasses with conductors Jesús López Cobos and José Luis Temes and studied orchestral conducting with maestro Navarro Lara.

As a musicologist, he has devoted himself to the promotion of contemporary consonant music, premiering works in Spain by composers such as Vladimir Martynov, Michael Hurd, Gerald Finzi, Astor Piazzolla, Marjan Mozetich, and Giovanni Sollima, among others. He co-founded the Non-Profit Music Chamber Orchestra alongside violinist Ara Malikian and collaborated with the Extremadura Orchestra and its conductor, Jesús Amigo, on world premiere recordings of works by Ernesto and Rodolfo Halffter and Julián Bautista. He has also contributed to the rediscovery and dissemination of the works of Bohemian composer Adalbert Gyrowetz (1763–1850) and the nearly forgotten composer Robert Kahn (1865–1951) alongside the B3 Classic Trio.

He taught at the Universidad Politécnica de Madrid for nearly 39 years in the field of Signal Theory and Communications at the Higher Technical School of Engineering and Telecommunication Systems. Throughout his academic career, he held various faculty positions, starting in 1985 as a Course Lecturer, then serving as a Tenured Professor at the University School, Associate Professor, and finally as a University Professor, before earning accreditation as a Full Professor in Arts and Humanities. This achievement made him the first professor at the university to be accredited in this academic branch. 

He taught courses in Sound and Image Engineering, covering areas such as Architectural Acoustics, Sound Reinforcement, Audio Engineering, and Audio Production and Postproduction. He concluded his tenure at the university as the coordinator of the Ph.D. program in Music and its Science and Technology at the Universidad Politécnica de Madrid and the Royal Conservatory of Music of Madrid.

Since 1981, he has released over thirty recordings with labels such as Sony Classical, Chandos, Virgin, Warner Music, Silenzio, BMG, RCA, and Non-Profit Music. His work spans film and television, both nationally and internationally. His compositions have been performed and broadcast mainly in the United States, Australia, Canada, France, Germany, Belgium, the United Kingdom, Switzerland, China, Japan, Brazil, and Spain.

His music has been nominated for and awarded numerous prizes. In the United States, he won the Narcissus Award in 2005 and was nominated for "Best Instrumental Contemporary Album" at the NAR 2004 for his work *We Are the Forthcoming Past, Take Care of It*. More recently, in 2013, he won the award for Best Instrumental Work at the 12th Independent Music Awards for his string quartet *On Blondes and Detectives*, dedicated to the Brodsky Quartet. This piece also won First Prize for Best Instrumental Work at the 12th International Songwriting Competition in 2014. That same year, he received two Boston Metro Opera awards for his monodramas *Four Sad Seasons over Madrid*, which won the BMO Concert Award, and *God’s Sketches*, which won the BMO Director’s Choice Award.

Several of his works have been nominated for major awards, including *God’s Sketches*, which was a nominee for Best Classical Music Album at the 2013 Independent Music Awards, performed by the Brodsky Quartet, Susana Cordón, and Jaime Fernández. In 2012, the album *Play It Again*, featuring his piano trio *A Walk Across Adolescence*, dedicated to Ukrainian composer Nikolai Kapustin and performed by the Trío Arbós, was nominated for Best Classical Music Album at the 4th Independent Music Awards. In 2010, the album *No Seasons*, featuring *Four Sad Seasons over Madrid* for violin, soprano, piano, and string orchestra, received a nomination for Best Classical Performer at the Spanish Music Awards. Similarly, in 2008, the album *Meeting with a Friend*, performed by Ara Malikian and the NPM Chamber Orchestra and featuring his *Concerto Sentido* for violin, viola, cello, and string orchestra, was nominated for Best Classical Performer.

His works have been performed by prestigious soloists, including flutist Gili Schwarzman; violinists Ara Malikian, Daniel Rowland, Vicente Cueva, Rubén Darío Reina, and Robert Davidovici; violists like Isabel Villanueva; cellists such as Alisa Weilerstein, Torleif Thedéen, Jiøí Bárta, Iagoba Fanlo, and Christoph Otto Beyer; pianists like Daniel del Pino, Eduardo Frías, Albert Guinovart, Josu Okiñena, and Ohad Ben Ari; sopranos Susana Cordón and Laia Falcón; tenors Antoni Comas and Guillén Munguía; chamber ensembles such as the Brodsky Quartet, Trío Arbós, Habemus Quartet, Synthèse Quartet, and B3 Classic Trio; orchestras including the Sydney Contemporary Orchestra, Ensemble Kuraia, the Catalan Chamber Orchestra, the Navarra Symphony Orchestra, the Winchester Orchestra of San José, the National Symphony Orchestra of Ecuador, the Chamber Orchestra of Spain, and the Madrid Community Orchestra and Choir; and conductors such as Pedro Halffter, Guy Braunstein, Joan Pàmies, Javier Ulises Illán, and Víctor Pablo Pérez. His compositions have premiered in venues like the National Auditorium of Music in Madrid, the Teatro de la Zarzuela, the Teatros del Canal, Carnegie Hall in New York, the Berliner Philharmoniker, and the UNESCO headquarters.

In 2011, he was commissioned by the 17th Toledo International Music Festival to compose a piece for its world premiere. He created *Warhol in Springtime*, a sonata for flute and piano, which premiered with resounding success. His violin and piano sonata *What Inspires Poetry*, dedicated to composer Marjan Mozetich, has been widely broadcast in the United States, becoming one of the most frequently aired Spanish contemporary works in the 21st century.

In 2016, radio stations in Chicago, New York, and Hawaii dedicated a two-hour program to his work. In 2017, Sony Classical released the complete recordings of his piano works, which were presented at Carnegie Hall. That same year, his partita *Shoah for Solo Violin and Sacred Temple*, a tribute to Holocaust victims, was released on the Non-Profit Music label.

In 2018, he was commissioned by the Community of Madrid to compose *Cantata Levi* in honor of Primo Levi for the closing of the 29th International Festival of Sacred Art. In 2019, he composed *Jan & Jan* for symphony orchestra and choir, commemorating the 50th anniversary of Jan Palach and Jan Zajíc's self-immolation in Prague. The piece premiered at the National Auditorium of Music in Madrid.

In 2021, his piano and cello concertos, performed by Eduardo Frías and Iagoba Fanlo with the Navarra Symphony Orchestra under Pedro Halffter, were released to critical acclaim, receiving the *Melómano de Oro* award and being named Album of the Year by *La Hora Azul* on Radio Clásica. In 2022, a monographic concert featuring his flute works was presented at Carnegie Hall.

In 2023, UNESCO selected *Shoah for Solo Violin and Sacred Temple* to commemorate the International Holocaust Remembrance Day.

His scores are published internationally by Wise Music Classical, Miotta & Molière, OE Oficina, and the Non-Profit Music Foundation.

The Movida Madrileña and Up To Year 2004
Jorge Grundman was born in 1961 in Madrid, Spain. He composed his first pieces at the age of 14 for a school competition and later studied at the Royal Advanced Conservatory of Music in Madrid. Under the tutelage of Carmen Ledesma and within the professorship of Joaquín Soriano, he trained in piano, music theory (solfège), and choral ensemble. This classical foundation would shape the course of his musical career.

By the age of 17, Grundman had become a key figure in the power pop scene as both a singer and keyboardist for the bands ETC and Fahrenheit 451. Fahrenheit 451 quickly gained recognition as one of the most promising groups within what critics called the Movida Madrileña. Alongside renowned bands such as Nacha Pop, Los Secretos, Mamá, Alaska y Los Pegamoides, and Pistones, they helped launch one of the most iconic music events of the era in Madrid—The Spring Concert at the School of Architecture.

Grundman later recorded with Fahrenheit 451 under independent labels and collaborated with other bands, including Pistones and Episodio. In 1980, he teamed up with Fahrenheit 451’s drummer, Oscar Bergón, and esteemed film composer Mario de Benito to form the synth-pop group Trópico de Cáncer. The band recorded the notable album Detrás del Espejo for Virgin Records Spain.

As a member of Trópico de Cáncer, Grundman sang, played keyboards, and composed several tracks on the album, which was recorded and mixed at AIR Studios in London by Nigel Walker. However, by the time the single Yo lo Intentaría una Vez Más reached #1 on Spain’s FM radio charts, Grundman had already left the band, seeking new creative directions and independence from the major label marketing machine.

Stepping away from the pop music industry, he began his university teaching career in 1985 while privately composing music at home. Though this transition brought challenging moments, they were balanced by periods of inspiration. One such moment was the birth of his daughters, Sara and Rebeca. Another came when renowned New Age radio DJ Ramón Trecet chose to air Grundman’s compositions, despite them being simple home recordings rather than professionally produced tracks.

While continuing his teaching career, he composed Los Hijos del Frío (The Sons of the Cold), which became one of the most celebrated electronic pieces on MP3.com, where it was released in January 2001. The track topped the New Age charts 27 times and remained in the Top 40 for six months, alongside artists like Enya and other leading figures in the genre.

Today, Jorge Grundman resides in Madrid with his family, continuing to compose and teach at the university. He founded Non Profit Music as a platform to channel proceeds from his music sales to Doctors Without Borders in Spain. In June 2004, the U.S. release of his first solo album, We Are the Forthcoming Past, Take Care of It, was distributed through the Los Angeles-based label Only New Age Music.

The Teacher and His Scientific Works and Developments
Since 1985, Jorge Grundman has been teaching at the Higher Technical School of Telecommunication Systems and Engineering at the Polytechnic University of Madrid. He currently teaches the following courses: Audio Engineering I & II (Audio Systems) and Audio Engineering IV (Audio Production, Post-Production, and Audio Restoration).

As an acoustics researcher, Grundman has presented his work at several international conferences on acoustics and has been a member of the Audio Engineering Society (AES). He holds two patents for computer-based audiometers and has authored several books, including MIDI Systems: Devices, Specifications, and Synchronization and Sound Field Study by Means of Computer. Additionally, he contributed to the Spanish translation of Ken Pohlmann’s renowned book Principles of Digital Audio. Grundman was also a member of ADDA, a university research group dedicated to developing digital applications in acoustics.

As a software developer, he created FarMac, an award-winning program for pharmacies, designed for both Windows and Apple computers, recognized by PC World. He also developed shareware utilities such as Mrs. Broom and WWW-VFP, designed to protect Microsoft Visual FoxPro applications.

He has been involved in the design and development of new audio equipment and, together with his colleagues, has registered the following patents:


He is currently researching the humanization of computer-generated musical performances as part of his doctoral thesis. The following examples showcase virtual performances generated by a Windows computer using the algorithm proposed by Jorge Grundman.

Frédéric Chopin
Fantaisie Impromptu Op. 66
 
Frédéric Chopin
Scherzo No. 1 in B minor Op. 20
 
Frédéric Chopin
Etude No. 12 in C minor Op. 10
 
Frédéric Chopin
Prelude No. 15 in D Sharp Major Op. 28


His doctoral thesis was about The Humanization of Virtual Interpretation: Three significant examples of Chopin's work. You can read the PDF file at the following link or access this site with Adobe Flash for an interactive and multimedia read. Note that in this last case you will need to have installed in your computer Adobe Flash Player.